Sperring Entertainment Pty. Ltd.
No power? No worries! We have state of the art Yamaha, JBL and Bose PA systems with built-in lithium batteries that each last over 8 hours on battery power. They're also powerful and sound fantastic! So, YES we can play acoustic sets at your event, no matter where it is.
I can even DJ on battery power if absolutely necessary- just keep in mind it won't be anywhere near as powerful as my larger, mains powered PA.
Rain and heat can be tricky if you're (understandably) desperate to continue with your garden ceremony.
Unfortunately, guitars & PA systems aren’t waterproof, so if it’s raining (or looks like it might), I’ll need to set up under shelter. If there’s no nearby cover, I may not be able to perform – and I’d hate for that to happen on your big day. I’ll always do my best to set up in the closest protected spot available.
For hot weather, shade is just as important. If it’s over 30°C and sunny, some form of shade – whether from a nearby tree, structure, or a large umbrella – is essential to prevent gear from overheating or shutting down mid-ceremony. If no natural shade is available, most venues are happy to provide an umbrella if asked in advance.
Thanks for understanding – it’s all about making sure the music doesn’t miss a beat when your moment arrives!
This is every performer’s worst nightmare – and thankfully, in over 500 weddings and events, I’ve only ever had to cancel three times. So while the chances are extremely low (less than 1%), it’s important to have a plan, just in case.
If something does happen and I’m unable to perform, I’ll do everything I can to find a suitable replacement from my network of talented and trusted industry professionals. While I can’t guarantee someone will be available, I’ll exhaust every option to make it happen.
In the unlikely event I can’t find a replacement, I’ll let you know as early as possible and, of course, provide a full refund.
Your peace of mind is important to me – and I’ll always prioritise transparency, professionalism, and doing the right thing.
My preferred setup time is: • 1 hour for acoustic-only or DJ-only bookings • 2 hours for full package bookings (acoustic + DJ)
The minimum setup time I require is: • 45 minutes for acoustic-only or DJ-only • 1.5 hours for full package bookings
If I’m not given at least the minimum required time to set up, there’s a risk I won’t be able to start performing at the scheduled time.
Please check your venue’s supplier access times before booking to ensure there’s enough time for a smooth setup.
Setup and pack down time is always included at no extra cost.
For example, if you book a 7-hour package, that’s 7 hours of live performance and/or DJ time – not including setup or pack down. I’ll typically arrive well before the booking starts and leave well after it ends, so for a 7-hour booking, I’ll actually be at the venue for closer to 9.5 hours, all included.
An MC service is not included when you book DJ.
You can add an MC service onto your booking for $500 inc. GST (subject to availability).
I work with two fantastic MC's- Elroy Hamilton from Royel Events (@royel_events on Insta) and Jimmy Szabo (@jimmyszabo on Insta). If you book MC, one of these guys will come with me and do a fantastic job of getting the crowd excited for your big day and making sure the reception runs smoothly.
When I'm booked to DJ, I like to work with the couples to develop a song list that suits their taste and event.
I ask couples to send me up to 50 of their favourite dance floor songs, along with a "DO NOT PLAY" list if there are any songs you hate.
You can choose how much input you have in the playlist. I play a lot of mainstream, popular hits and dance floor fillers from the last 60 years.
I'm also happy to take requests from your guests on the day if that's what you want. I have over 5000 of the most popular songs in the world in my DJ software.
I have a repertoire of over 300 songs spanning a wide range of genres – from rock, folk and pop to R&B, country and timeless love ballads. Whether it’s upbeat crowd-pleasers or stripped-back romantic tunes, there’s something for everyone.
I’ve had years of experience reading a crowd and knowing what will land well in the moment, but I always encourage input from my clients – especially for weddings.
For wedding ceremonies, you’ll have full control over the key moments: • Walking down the aisle • Signing the registry • Recessional • First dance • Father–daughter dance (if you’re having one)
I also recommend couples choose around 10 of their favourites from my acoustic song list. This not only helps me include your must-haves, but also gives me a great sense of your style and the overall vibe you’re going for.
Your day should sound exactly how you want it to – and I’m here to make that happen.
Included in each booking is the learning of one new song (not on our list) for a key moment.
We can learn new songs for key moments such as walking down the aisle, signing the registry, first dance or father/daughter dance. We don't learn new songs for background music during canapés or dinner- these will be comprised of the over 300 songs in our repertoire.
If you require us to learn more than one new song, the cost is $100 per song, otherwise the original recorded version can be played through our system for free.
Yes, I do use looping – though I like to keep it tasteful and purposeful.
Looping, made popular by artists like Ed Sheeran, involves recording a part (like guitar, percussion, or vocals) live and layering it in real-time to build a fuller sound. It’s a great way to add rhythm or texture – like mimicking drums by tapping the guitar, or creating a chord progression to solo over.
That said, I tend to use looping in around 20–30% of my set. I believe it’s most effective when used sparingly – just enough to add something fresh or dynamic, without becoming repetitive.
I also keep my loops fairly simple. You won’t see me layering six tracks before the song even starts – I’d rather get into the music quickly and keep the momentum going. A touch of percussion or a looped guitar line here and there can go a long way in creating a rich, engaging live sound without the wait.
We travel anywhere within 50km of Knox City (eastern suburbs) free of charge. This means Melbourne city, Yarra Valley, Dandenong Ranges, Mornington Peninsula and Eastern & South Easter Suburbs are generally free.
For events between 50km and 200km away, additional travel fees are generally between $100-$200 for solo bookings or $200-$400 for duo bookings.
For any bookings further than 50km away and finishing later than 10:30pm, accommodation may also be necessary- charged at a flat rate of $200.
Nope — your wedding or event will be my one and only for that day. That means you get 100% of my focus, time, and energy, exactly as it should be.
I’m really mindful not to overbook or burn myself out. I also value my family time and a healthy work-life balance. A lot goes into each booking outside of the day itself — learning and rehearsing songs, practicing guitar and vocals, refining DJ sets and transitions, restringing guitars, testing and charging gear, and keeping on top of admin.
Because of all that, I cap my calendar at around 70 gigs a year — and only 50 of those can be full-package bookings.
I get around 300 enquiries each year, and more than half are for dates I’ve already booked. One of the most common emails I send is: “Sorry, I’m not available on your date.”
The earlier you enquire, the better your chances — especially if your wedding is during peak season (October to April). Fridays and Saturdays in March and November are the hottest dates and often book out up to 18 months in advance.
If your wedding is in May, June, July, August or September, there’s usually more flexibility. I often still have availability even for bookings made within 6 months of the date.
If you book the duo, you will hear from both of us equally. The duo option is perfect if you want more than 2 hours of music, as it gives you a greater variety of song choice and we'll alternate between male and female vocals with duets and harmonies.
It also means we have two sets of hands to move equipment around, meaning less music down time.
I require a $200, non refundable booking fee, to secure your date.
You will be sent an invoice for the balance in the weeks prior to your event and the funds must be in my account before the day of the event.
In the case of a postponement, the deposit can be transferred to a new date, subject to availability.
This one's for the audio geeks. I am a qualified audio engineer, and only use very high quality equipment. As it stands in 2025, this is what I'm using:
Guitars:
Cole Clarke Fat Lady 2 (Rosewood & Ebony).
Maton EBW808C.
Guitar/Vocal FX:
TC Helicon Acoustic Play.
Vocal mic's:
Shure SM58a Beta
Shure Nexadyne 8s
Wireless mic:
Rode TX M2 Performer Kit
Battery powered PA:
Yamaha Stagepas200 BTR
Bose S1 Pro
JBL Eon One Compact
Mid PA: (less than 120 guests)
2x Yamaha DXR10 mkII
1x Yamaha DXS12 mkII
Max PA: (120-200 guests)
2x Yamaha DZR10
1x RCF 905 mk3
DJ:
Pioneer DDJ SR2
Macbook Pro M4.
While I don't offer these services myself, I have a lot of great contacts in the industry and I'm happy to give you recommendations for these services.
I regularly perform my DJ sets with saxophone players and am more than happy for you to book whichever sax player you like- but can also give you recommendations.
Absolutely! I’ve had the pleasure of working alongside some of the best celebrants, photographers, videographers, content creators, caterers, MCs, photo booth operators and venues in Melbourne. I’ve seen them in action and have a good feel for who’ll suit different vibes and styles.
If you’re looking for a recommendation, just reach out — I’m always happy to point you in the right direction.
I regularly perform at venues with sound restrictions, so it’s nothing new – but there are a few things you should be aware of to help set expectations. If your desire is a pumping dance floor with heavy bass, I would advise you to avoid venues with sound restrictions!
Some venues require me to use their in-house sound system. While some are decent, they often won’t sound as clear or go as loud as my own high-end PA setup.
Other venues don’t allow subwoofers, meaning I’ll need to perform using standard 2-way speakers. This will reduce the low-end punch, so you may notice less bass – which can impact the energy, especially during the dance floor portion of the night.
If your venue enforces a strict volume cap (e.g. below 90dB), keep in mind that’s not very loud – a noisy restaurant of people just talking can exceed 90dB! For some, that’s no issue at all, but if you’re hoping for a high-energy party with big bass, this restriction could affect the overall vibe.
Some venues use sound limiters, which means if the music exceeds the allowed volume for more than 10 seconds, the power to PA is cut, and it can take a few minutes to switch back on.
I’m always happy to chat with your venue ahead of time to understand their requirements and tailor things to suit – while still giving you the best experience possible.